Posts Tagged ‘Style: Contemporary’

Faith’s Endeavor

Posted July 10th, 2003

This song is based on Psalm 90, and reminds us that, while our lives are but temporary, God is the Rock of Ages. We desire to know this Lord of all our days, and to have our faith's endeavor crowned with glory when we see Him face to face in heaven. This song is a bit challenging for a congregation, but we have enjoyed much success with it at Calvary. We often have the guitar player only play some of the chords, as a piano player is able to handle the amount of chords better.

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You’ve Always Loved Me

Posted July 10th, 2003

The doctrine of election is one of the most precious to believers. The fact that God would choose us in Christ before the foundation of the world, not based on anything he would forsee we would do, but simply because of the kind intention of His will (Ephesians 1:5), is overwhelming. Even more amazing is the truth that God did this knowing full well that we would despise Him - His character and His word. He loved us while we shook our fist in His face and cursed Him by our thoughts, words, and deeds. The chorus lyrics are original and were written to compliment and summarize the two existing verses.

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Ever to Obey You

Posted July 10th, 2003

This hymn is based on Psalm 81 and comes from the Psalms and Hymns of Reformed Worship collection (edited by Peter Masters). These beautiful lyrics express our desire to always obey our Lord, with gladness walking with Him all the days of our life. The motive for this obedience is seen in the verses of the song - because of our salvation we are set free to be holy and happy. May God grant us continued victories of grace in our lifelong battle against sin!

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Our Redeemer All Adore

Posted July 10th, 2003

This hymn traditionally starts with the third line "From all that dwell below the skies". This is a powerful song about the fact that God deserves worship from all of creation and in fact, will one day receive it as every knee will bow and every tongue confess that Jesus Christ is Lord (Philippians 2:9-11). All of mankind will praise Him for His eternal mercy and truth and this praise will go on forever - til suns shall rise and set no more. What a joy that one day all will adore our Redeemer!

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Again I Say, Rejoice

Posted July 10th, 2003

Based partly on Philippians 4:4, this song describes why we can find our joy in God. How amazing it is that God actually commands us to be joyful always. In the first verse, we remember that Christ's triumph over the enemy of our sin is what makes our joy possible. In the second verse, we find joy in remembering that Christ is the Judge of all mankind and will one day take us to be with Him in heaven. In the chorus, we get to proclaim God's command to rejoice - and sing it again.

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To God all Praise and Glory

Posted July 10th, 2003

A general song of adoration, "To God all Praise and Glory" sets forth many wonderful truths of God's character. These include the fact that He is creator, the author of our salvation, His sovereign rule, His role as Shepherd, and His protection and care for us.

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Never Dare Offend

Posted July 9th, 2003

This is a beautiful song from Charles Wesley about the desire for holiness and genuine, ongoing hatred of our sin. Because we continue to sin, we have a continual need to be restored to God in our fellowship with him. This song expresses the desire for God to accept us anew when we "backslide". In the chorus we sing the powerful prayer that God would give us tender hearts that tremble at the approach of sin. Oh, that our worst fear would be offending our loving God who paid such a price to free us from sin's deadly grasp! Originally written for a solo setting, this is another song that we felt could be sung by a congregation successfully, though it is a little bit more challenging than many of our other songs.

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Enlarge, Inflame

Posted July 9th, 2003

It has been my experience that it is hard to find good songs that express a desire for zeal in evangelism. If you are looking for this kind of song, look no further! Originally written as more of a solo performance piece, we think that it's singable at certain tempos and with certain congregations.

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